His picks then become “a blueprint of what he was thinking for either the episode or the scene.” Malone also worked closely with the film editors, who have “such incredible taste,” to further build a repertoire. Often he’ll write song choices directly into the script “because when he's writing, he listens to music, and music is just so important to him anyway,” Malone says. As with all things Euphoria, the soundtrack starts with showrunner Sam Levinson. Animation Production: A-1 Pictures Inc.Working with hundreds of songs, the Euphoria team faced an intriguing challenge: Maintain “that Euphoria feel,” Malone explains, but without repeating the musical choices they'd made in the first season.Ending Theme: Aoki Tsuki Michite by AKIRA.Ciel and his demon butler, Sebastian Michaelis, infiltrate the circus, disguised as team members, to study and possibly unearth its ulterior motive. The Queen, then, sends her notorious Watchdog, Ciel Phantomhive, on an investigative mission to retrieve the missing children. However, children are mysteriously disappearing from the town in a manner correlating to the troupe's movement. In late-nineteenth-century England, the Noah's Ark Circus enlivens the city of London with their grandeur and spectacular stunts.

On January 16, 2014, the cover of the February issue of Square Enix's Monthly G Fantasy magazine announced that production on a new anime series, Kuroshitsuji: Book of Circus, has been green-lit.

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